Christoph Waltz won the supporting-actor Academy Award on Sunday for his role as a sociable fiend of a Nazi in "Inglourious Basterds."
The first award of Oscar night went to Austrian-born Waltz, a veteran stage and television actor in Europe who had been virtually unknown in Hollywood before Quentin Tarantino cast him as the prattling, ruthless Jew-hunter Hans Landa in his World War II saga.
His award was presented by last season's supporting-actress winner, Penelope Cruz, who gave Waltz a kiss as he took the stage.
"Oscar and Penelope. That's an uber-bingo," Waltz said.
Waltz beat four Hollywood veterans: Matt Damon for "Invictus," Woody Harrelson for "The Messenger," Christopher Plummer for "The Last Station" and Stanley Tucci for "The Lovely Bones."
An Oscar for Waltz seemed a foregone conclusion since last May, when "Inglourious Basterds" premiered at the Cannes Film Festival and won him the acting prize there.
Waltz delivers a virtuoso performance as charming but deadly opportunist Landa, expertly flinging about Tarantino's manic dialogue in four different languages.
The actor creates one of the great screen heavies, a lovably loathsome psycho who gets an agonizing comeuppance at the hands of Brad Pitt, playing the leader of a band of Allied Jewish commandos that terrorizes the enemy, collecting German scalps and carving swastikas into Nazis' foreheads.
"Quentin with his unorthodox methods of navigation, this fearless explorer, took this ship across and brought it in with flying colors, and that's why I'm here," Waltz said. "This is your welcoming embrace, and there's no way I can ever thank you enough."
Oscar voters are expected to go very big or very small on their best-picture choice. The two favorites in the expanded field of 10 best-picture nominees are the as-big-as-it-gets blockbuster "Avatar" and the critical darling "The Hurt Locker," which drew a tiny fraction of the audience its mammoth competitor pulled in.
Either movie would represent a first at the Oscars. James Cameron's "Avatar" would be the only science-fiction film ever to take home the best-picture prize. While war films have done well at the Oscars, Kathryn Bigelow's "The Hurt Locker" would be the first winner centered on the war on terror, a subject that has stirred little interest among movie audiences shell-shocked by news coverage of Iraq and Afghanistan.
The other eight films competing for best picture: the football drama "The Blind Side," the sci-fi thriller "District 9," the British teen tale "An Education," the World War II saga "Inglourious Basterds," the Harlem story "Precious: Based on the Novel 'Push' by Sapphire," the Jewish domestic chronicle "A Serious Man," the animated adventure "Up," and the recession-era yarn "Up in the Air."
Intermittent showers and then a downpour accompanied by thunder and lightning pounded Hollywood Sunday afternoon, but a plastic tent over the red carpet kept celebrities dry as they entered the Kodak Theatre.
"It's a beautiful day," said Anika Noni Rose, a voice star of "The Princess and the Frog," nominated for best animated feature.
Among other celebrities arriving early were "Precious" stars Mo'Nique and Paula Patton, accompanied by her husband, soul singer Robin Thicke, Anna Kendrick of "Up in the Air" and Ed Asner, voice star of "Up."
Fans in bleachers yelled out as they spotted stars in the red carpet gridlock.
"Tina Fey, you rock!" screamed Pauline An, 38, of Golden, Colo., drawing a thumbs-up reply.
"This is my first Oscars and the Saints won the Super Bowl — I couldn't ask for anything more," said "The Hurt Locker" star Anthony Mackie.
Leaders of the Academy of Motion Picture Arts and Sciences widened the best-picture category from the usual five films to expand the range of contenders for a ceremony whose predictability had turned it into a humdrum affair for TV audiences.
Oscar ratings fell to an all-time low two years ago and rebounded just a bit last year, when the show's overseers freshened things up with lively production numbers and new ways of presenting some awards.
The overhaul continues this season with a show that farmed out time-consuming lifetime-achievement honors to a separate event last fall and hired Steve Martin and Alec Baldwin as the first dual Oscar hosts in 23 years.
But Sunday's ABC Oscar broadcast could have several million fewer viewers after the network switched off its signal to 3.1 million Cablevision subscribers in the greater New York area in a dispute over fees.
Going into the show, Oscar frontrunners "Avatar" and "The Hurt Locker" lead with nine nominations each, including director for Cameron and Bigelow, who have a personal history that spices up the competition. They were married from 1989-91.
Cameron took the directing prize at the Golden Globes, but Bigelow earned the top honor from the Directors Guild of America, whose recipient almost always wins the same award at the Oscars.
If it happens, Bigelow would be the first woman in the 82-year history of the Oscars to win best director. Four first-time winners are expected to triumph in the acting categories.
Audience darling Sandra Bullock is the best-actress favorite for "The Blind Side," which brought her the first Oscar nomination of her career. Jeff Bridges, nominated four times previously without a win, looks like a lock for best actor for the country-music tale "Crazy Heart."
Both Bullock and Bridges already had won other awards this weekend. At Friday's Spirit Awards honoring independent film, Bridges earned the best-actor prize for "Crazy Heart."
On Oscar eve Saturday night, Bullock won the worst-actress prize at the Razzies for her romantic comedy flop "All About Steve." A good sport about her worst-actress nomination throughout awards season, Bullock was a rare winner who showed up to accept her Razzie, tugging a little red wagon full of DVDs of "All About Steve" for the Razzies audience.
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